Sen. Harry Reid *** Froggy from Our Gang


[hat-tip: Monday afternoon caller to The Dennis Miller Show ]
Dip your fevered mind and wearied limbs into the healing waters.


DEVIL DIALOGUE Dennis: So a million people show up. Who cares what Germany thinks? I don't care if TWO million people are there....RIM SHOT!!!!!!
Salman: I know how many WON'T be there....
Dennis: How many?
Salman: Six million.

"If God didn't want us to eat cows, he wouldn't have made them out of steak."











TONY SNOW, Like Tim Russert before him, Tony Snow brought an infectious passion and likability to his craft... His 17 months at the White House press room podium made predecessor Scott McClellan look like the useless shlub history now reveals him to be.
When Tony Snow took over that post in Spring 2006, one of President Bush's key problems was the passionless ineptitude that poisoned the delivery of his message. Snow fixed that in one day, establishing a style of addressing the press with conviction and humor. There had been no one like him before, and I don't see anyone equaling him again.
[He] never let go of his passion for life, even as cancer slowly robbed him. Now we are the ones who have been robbed. Tony Snow should have been able to see his kids grow older as he grew old with his bride, and we should have been able to enjoy his sunny demeanor during political clashes lasting well into the middle of this century. It is his gifts, the kind he shared with Tim Russert, that are sorely needed, not just in government and on TV, but in our entire national discourse.I am sad and angry and I miss him. My faith tells me I'm not supposed to grumble so much when God calls people home. Well, I'm sorry. While I know there's some great talent gathering in heaven, I simply was not done with them down here.
Having gotten that off one's chest, the more gracious reflection was the President's:
I know it's hard to make sense of today. It is impossible to fully comprehend why such a good and vital man was taken from us so soon. But these are the great mysteries of life -- and Tony knew as well as anyone that they're not ours to unveil.
The day Tony was born was also the day that many of his fellow Catholics pay tribute to Saint Justin. Justin was also a gifted thinker and writer, and a powerful witness for the Christian faith. Because of his beliefs, he suffered many times of trial, and in the year 165 A.D. he was arrested. Before he received a sentence of death, he was asked: "If you are killed, do you suppose you will go to heaven?" Justin replied: "I do not suppose it, but I know and am fully persuaded of it."
Tony Snow knew that, as well. That brought him great peace. When talking about the struggle he waged so admirably, he said that no matter how bad times may sometimes seem, "God doesn't promise tomorrow, he does promise eternity."
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And so today we send this man of faith and character and joy on his final journey. Tony Snow has left the City of Washington for the City of God. May he find eternal rest in the arms of his Savior. And may the Author of all creation watch over his family and all those who loved him, admired him, and will always cherish his memory.
Requiescat in pacem.
HEH. Oh yeah.
Purity peppermint nob, standin' for da sweetness o' da fraish air an' such. Den ya gets a chunk o' hard tack (also by Purity -- I t'ink we has a genuine sponsor tie-in deal goin') to remind yas of the hardships of life on da rock. (Do I detect a smatterin' o' "Why is this night different from every other night"? Ahoy-vay, matey.)
ly, we gets to da Prodestant portion o' da program, where buddy comes out wid little trays all covered with tiny glasses full of liquid, kinda low-church communion-like. But they was all filled with Screech, y'see, that fine old Newfoundland drink which is a kind of rum spiked with ethanol er somethin'. And ya takes yer shot glass, waits until everybody has one, and then ya knocks it back in one great whack. 

We (me and the spouse) were at a considerable disadvantage watching this play because almost the entire cast had thick Scots accents. While I'm better at deciphering this than a lot of folks, for me the accents rendered about 60% of the dialogue incomprehensible. [Correction: 60% of that portion of the dialogue not consisting of the F-word, which turned up at least twice in every sentence.) (a) The perceptions of any ten soldiers must not presume to represent those of tens of thousands of their comrades; and there isn't a single soldier alive who, in the glow of attention from a reporter, will not be tempted to embroider on the facts [as Shakespeare advises us, they might well "remember, with advantages," something they have earned the right to do], not necessarily in a self-serving lie, but in a game of yanking a malleable journalist's chain. Furthermore, there is the God-given right of every soldier to indulge in the Gargantuan Gripe, as defined so astutely by LT G at Kaboom;If there is one scene in Black Watch which does speak the truth about the fight in Iraq better than any other, it is the slow motion enactment of a suicide car-bombing. The vets in the pub talk about it to the interviewer, so the audience (if they've been listening carefully -- and could understand what they heard!) knows what's coming.
(b) We have it on good authority -- from the above-mentioned young officer in the Black Watch -- that the men under his command were inclined to daft behaviour and getting in trouble with police before ever setting a toe in Iraq. He had tremendous affection for his men and felt that they made terrific soldiers, but they were, by nature or nurture, rough, short-fused, hard-drinking, street-fighting, and half-mad at the best of times. The discipline of military life may have been the best thing that ever happened to them.
That's not to say that their service in Basra was not terrifying, frustrating, and perhaps even ill-conceived. As recent events have highlighted, the situation in Basra was different from most of what has gone on elsewhere in Iraq, most explicitly in the fact that Al Qaeda was barely a factor-- inter-tribal civil warfare has been the nature of the beast all the way along, and the British, rightly or wrongly, came to believe they could not contribute to the solution.
To be fair, the play Black Watch does give he impression that the soldiers have no quarrel with military missions or discipline (though I would be interested to know from our young friend whether there is any basis for the play's portrayal of a certain slackness in protocol during the more boring stretches of the mission-- something most playgoers would fail to notice, but we military parents do not). What the men do object to is the fact that they were trained to fight, but spent far too much time pinned down inside a fortification, from which they ventured out on patrols that all too often made them sitting ducks.
From what I have read, that is not an inaccurate picture of how it went for the Brits, and for many of the Americans before General Petraeus took command. However, we also have it on good authority (from our young friend, and from the best reporter on the scene with the British, American journalist Michael Yon, here ) that the Brits, including the Black Watch, had a bellyful of some pretty serious fighting.
(c) It is clear from headlines all over that it doesn't take immersion in combat to produce a global outbreak of young people behaving badly. Vast numbers of so-called disaffected youth lash out at society and each other with staggering regularity, and so-called experts offer a thousand reasons why: unemployment, broken families, drugs and gang violence. Combat trauma is at least an easily identifiable source of hostility. But I would suggest that, among the sparks that set off eruptions of uncivil behaviour must be the frustration born of minds incapable of formulating an expression of their feelings.
In times past [not that long past -- say, 50 years], the letters and reminiscences of ordinary soldiers bore witness to the benefits of a substantive basic education: men looking for words to tell of their fear, shock, longing, and suffering, could find them at hand, because the building blocks of conventional schooling had set them to reading Aesop's fables and Caesar's wars, and to memorizing poems, speeches, and passages from the Bible. They had listened attentively while teachers read to them in school, or families told stories and sang ballads to pass the leisure hours. They had paid heed to the experiences of people other than themselves, so that when it came time to put their own experiences into words, and into the context of the human story, they had the tools and the vocabulary to do it.
Young people for whom education has been a self-referential skid over the surface of randomly arrayed information can often find no words to communicate their reality. They can be heard to complain that they have ideas but just can't express them. Not so-- the sad truth is, if you have no words, you have no ideas, period. You have feelings-- twinges and pangs and impressions, ricocheting around an empty box -- but you do not have ideas. Can anything be more isolating and frustrating than that?
And the most evident symptom of this vacuum in our modern age?: the relentless resort to the F-word.
wait and watch, and then suddenly a massive flash-pot and explosion sound go off at the curtained end of the playing area. The curtain drops to reveal three men suspended on wires, nearly upside down and at contorted angles, a good ten feet off the ground. Their clothing is shredded and red with blood, and over the next thirty seconds or so, they make their writhing way to the ground, as their personal serial numbers and the numerical designation of their degree of injury are called out over a speaker. When they finally land, the action goes back to a real-time flurry of emergency procedures as the injured are evacuated.
The production uses the march in formation, with drums and bagpipes, which will appeal to any audience, perhaps in spite of itself-- in spite of what many will disdainfully identify as obsolete, jingoistic spit-and-polish pageantry. 


eorge of Chicago pulled the execrable Fr. Michael Pfleger out of his parish for a couple of weeks of reflection. Too little, too late, I fear, since his personal corruption of the priestly vocation has too long infected his flock and now they are howling and hunger-striking for his re-instatement.
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I am absolutely certain that, generations from now, we will be able to look back and tell our children that this was the moment when we began to provide care for the sick and good jobs to the jobless, this was the moment when the rise of the oceans began to slow and our planet began to heal... [h/t New York Times ]Sweet Jesus!!!! (And I DON'T mean YOU, Barack!)


tsman in the William Wallace mold.
"Non-hysterical"
Kathy Shaidle, Five Feet of Fury
"Intelligent and thoughtful"
Julian Lopèz-Morillas, Bay area actor, director, 'Speare chucker, and old pal (still thinks I'm bananas)
"She made other comments, but they were too risqué."
David Warren, Canajun wordmonger and doge, davidwarrenonline